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Marat Having a Animated Conversation with Danton (standing) and Robespierre (seated). Oil on canvas painted in 1882 by Alfred Loudet (1836–1898), French painter. Collection: Musée de la Révolution française. Source/Photographer: David Monniaux, 2010-07-03. Public Domain.

1759

Tidslinje: 1700-1799
Udsnit af Holberg i kaffeselskab hos madame N.N., maleri fra ca. 1866 av Wilhelm Marstrand (1810-1873), dansk maler. Collektion: Den Hirschsprungske Samling, København. Foto: Orf3us, august 2014.

1754

Tidslinje: 1700-1799
"Morning of 10 thermidor An II" Lying on a table, wounded, in a room of the Convention, Robespierre is the object of the curiosity and quips of Thermidorians, Oil on canvas painted ca. 1877 by Lucien-Étienne Mélingue (1841–1889), French artist and painter. Collection: Musée de la Révolution française. (CC BY-SA 2.0 FR).

1758

Tidslinje: 1700-1799
Vous Avez La Parole, Expliquez-Vous, Vous êtes Libre! [You Have The Word, Explain Yourself, You Are Free!] A lithograph by Honoré Daumier (1808–1879) in 1835. The artwork is from the satiric newspaper "La Caricature" n. 236. Collection: Los Angeles County Museum of Art. Public Domain.

1808

Tidslinje: 1800-1899
The frontispiece of 1. volume of Diderot's og d’Alembert's "Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers", 1772-. It was drawn by Charles-Nicolas Cochin (1715–1790), French engraver, designer, writer, and art critic, and engraved by Benoît-Louis Prévost (1735/1747–1804) was a French engraver. The work is laden with symbolism: The figure in the centre represents truth—surrounded by bright light (the central symbol of the Enlightenment). Two other figures on the right, reason and philosophy, are tearing the veil from truth. Collection: Teylers museum, Haarlem, Holland. Photo: taken 21 January 2012 by AlfvanBeem. Public Domain.

1713

Tidslinje: 1700-1799
Mirabeau arrive aux Champs Élisées. Print shows Mirabeau at center arriving at the Champs Élisées where he hands a copy of the French Constitution to J.J. Rousseau as Benjamin Franklin reaches to place a wreath on his head; in the left background Fénelon, Montesquieu, Voltaire, and Mably come to greet him, and in the right background Demosthenes and Cicero are talking together, on the far right, Charon uses an oar to push his boat off from shore. Published: Paris, 1791. Engraving on off-white wove paper by Louis Joseph Masquelier (1741-1811), French draughtsman and engraver, and Jean Michel Moreau (1741-1814), French draughtsman, illustrator and engraver. Collection: French Political Cartoon Collection (Library of Congress, Washington, DC., USA). Public Domain.

1689

Tidslinje: 1600-1699
While trying to take the fortress of the Meaux market, where the family of the Dauphin Charles is entrenched, the Jacques and their Parisian allies are surprised by a charge of chivalry from Gaston Phébus and Jean de Grailli (June 9, 1358). Jean Froissart, Chroniques, Flandre, Bruges, 15th century. Illumination on parchment by Loyset Liédet (1420–after 1479 / after 1484), Flemish manuscript illuminator. Collection: National Library of France. Public Domain.

1358

Tidslinje: 0-1499
Reading of Voltaire's L'Orphelin de la Chine (a tragedy about Ghengis Khan and his sons, published in 1755), in the salon of Madame Geoffrin (Malmaison, 1812). The picture shows a gathering of distinguished guests in the drawing-room of French hostess Marie-Thérèse Rodet Geoffrin (1699-1777) who is seated on the right. Artistic license has been taken, both in terms of the number of attendees, and who could have attended in 1755. At least one is depicted much younger than he would have been in 1755, had he lived that long. Among the many litterary guests are Jean-Jacques Rousseau and Voltaire, the last though in form of a bust. Oil on canvas painted by Anicet Charles Gabriel Lemonnier (1743–1824), French painter. Collection: Château de Malmaison. Public Domain.

1778

Tidslinje: 1700-1799
Voltaire at the desk, 1778. Etching on paper by Daniel Niklaus Chodowiecki (1726–1801), German-Polish painter and printmaker. Title vignette for "Candide or the best world. Again Germanized by W. Chr. Mylius", by Voltaire. Public Domain.

1694

Tidslinje: 1600-1699
"Death of Capt. Ferrer, the Captain of the Amistad, July 1839." Caption: "Don Jose Ruiz and Don Pedro Montez of the Island of Cuba, having purchased fifty-three slaves at Havana, recently imported from Africa, put them on board the Amistad, Capt. Ferrer, in order to transport them to Principe, another port on the Island of Cuba. After being out from Havana about four days, the African captives on board, in order to obtain their freedom, and return to Africa, armed themselves with cane knives, and rose upon the Captain and crew of the vessel. Capt. Ferrer and the cook of the vessel were killed; two of the crew escaped; Ruiz and Montez were made prisoners." Date: 1840. Color Engraving and Frontispiece from John Warner Barber (1840). A History of the Amistad Captives. New Haven, Connecticut: E.L. and J.W. Barber, Hitchcock & Stafford, Printers. Public Domain. See below 1 Juli 1839.

1839

Tidslinje: 1800-1899
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