Den franske forfatter Emile Zola (født 2. april 1840, se denne) skriver åbent brev til Frankrigs præsident i det liberale dagblad L’Aurore: J’accuse (Jeg anklager) om Dreyfus-affæren, der drejede sig om en domfældelse for spionage af en uskyldig fransk officer, offer for en antisemitisk kampagne.
Emil Zolas brev til den franske president. Utdrag av Emile Zolas brev til Felix Faure, den franske republikks president, offentliggjort i avisen l`Aurore den 13. januar 1898 (Zola-prisen.no). Norsk tekst.
The Dreyfus Affair, 1894-1906 (Marxists Internet Archive). Med kronologi og samtidige artikler, bl.a. af Rosa Luxemburg.
The Dreyfus case—a setup that fuelled a crisis. By Charlie Kimber (Socialist Worker, 1 January 2022). “A vicious antisemitic injustice split French society down the middle at the end of the nineteenth century. And 125 years ago this month novelist Emile Zola spoke out against it.”
J’Accuse (An Officer and a Spy): Roman Polanski’s masterpiece on the Dreyfus Affair. By Alex Lantier (World Socialist Web Site, 19 November 2019). “Polanski’s film on this victory of truth against nationalism and militarism is a significant contribution that deserves a wide audience.”
Why the Dreyfus affair matters. By Gareth Jenkins (Socialist Review, Issue 343, January 2009). Review of Louis Begley’s book (Yale University Press, 2009, 272 p.). “Louis Begley’s book follows all the complex twists and turns of what happened, along with sketches of many of the people involved, without losing the main thread.”
Zola, Dreyfus and internationalism. By Ian Birchall (Bulletin of the Emile Zola Society, No.17, March 1998; online at Grimanddim.org). “Zola’s defence of Dreyfus was thus based, not simply on a desire for an abstract notion of justice, but on a complex and evolving critique of racism, nationalism, militarism and the state machine.”
23. januar 1898
Den russiske filminstruktør Sergej Mikhajlovitj Eisenstein (Ejzensjtejn) fødes i Riga (dør 10. februar 1948 i Moskva)
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![Illustration to Robert Burns' poem Auld Lang Syne by J.M. Wright and Edward Scriven. The Complete Works of Robert Burns: Containing the Poems, Songs, and Correspondence. Illustrated By W.H. Bartlett, T. Allom, and Other Artists. With a New Life of the Poet, and Notices, Critical and Biographical[1] by Allan Cunningham. Published in London by George Virtue. No year is given explicitly, but "James Gibson 1856" has been handwritten inside the front cover, it's dedicated to a MP, Archibald Hastie of Paisley, who was no longer a MP by 1857, and some of the artists and engravers were dead before 1842. As such, I'm going with c. 1841 as the year, though it could be as late as 1856, when James Gibson evidently acquired. From: The Complete Works of Robert Burns: Containing the Poems, Songs, and Correspondence. Illustrated By W.H. Bartlett, T. Allom, and Other Artists. With a New Life of the Poet, and Notices, Critical and Biographical by Allan Cunningham, London: George Virtue. Drawn by John Masey Wright (1777–1866, artist), Engraved by John Rogers (c. 1808-c. 1888, engraver), Restored by Adam Cuerden (1979–, restorationist), Cropped by Beyond My Ken. Public Domain.](https://socbib.dk/wp-content/uploads/2018/02/John_Masey_Wright_-_John_Rogers_-_Robert_Burns_-_Auld_Lang_Syne_crop-200x140.jpg.webp)
